Last week I was walking with a friend at Emmarentia Dam. The weather was idyllic for late summer, with not a whisper of wind, allowing a perfect reflection of the trees and sky in the water. This set me thinking, what is it in nature that gives us this sense of immense calm, and what can we learn from this as designers? The most obvious parallel in architecture is in the use of reflecting pools, which have been used by some of the best-known modernists, including le Corbusier and Mies van der Rohe, often creating a contrast between the asymmetrical composition of the building volumes and the symmetry of the reflection. Barcelona Pavilion by Ludwig Mies van der Rohe Creative Commons Licensed: https://commons.wikimedia.org/wiki/File:Barcelona_Pavilion_pool.JPG . This technique is used extensively by Oscar Niemeyer in Brasilia, enlivening the bold volumes and strikingly sculptural concrete structural elements. This adds to the drama of the asymmetrical forms and the play...
Having spent the first 21 years of my life in a house that was designed by my parents, I have a special interest in the houses that architects design for themselves. Our home started off as a tiny two-bedroom, but had a quite large open-plan living and dining area and a huge kitchen, in anticipation of the house it would grow into. Every four or five years, the builders sand and piles of bricks would arrive, and we would know that the next phase was about to begin. This incremental approach is one that I have seen many times, partly because architects invariably have dreams far larger than their wallets! On the other hand, one finds some architects designing a manifesto rather than a home - as I discovered in my first year as an architectural student. We were taken to the house of one of the iconic names of the Modern Movement in South Africa, one which remains very much in its original form from its construction in 1942. House Martienssen at the time of completion (South A...