Anne-apolis

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The invisible hand

Since I was an undergrad architectural student, I have always been fascinated by the concept of invisible design - where the result fits so perfectly in its setting that it looks invisible or timeless. This was almost certainly inspired by a house that my dad designed, that I have always regarded as his masterpiece. His client was a botanical artist and the site was very heavily vegetated. The plan tried to minimise the loss of any trees and large shrubs, and Anita Fabian spent many hours on site in the initial weeks, carefully transplanting the smaller flowers away from the house footprint. The finally completed house, with its low lines and natural materials, was completely invisible from all viewpoints, concealed by the dense vegetation, and meeting the clients' brief exactly. I have used this philosophy in my heritage work, in particular at the village of Rhodes in the Eastern Cape, aiming for a very modest interpretation of the Victorian architecture for the new house...

Upcycling baby clothes

I have always been a fan of recycling - giving new life to old things and finding new uses for what would otherwise end up in landfill. This goes back to childhood. I remember very vividly my dad bringing home old Bills of Quantities - lengthy documents printed single-sided with the blank reverse side perfect for all of my sketching practice and other drawing projects. In the 1960s and 70s, repairing things was very much part of life, whether mending clothing or other items. At my (very upmarket) high school, we had a toy workshop, where we collected and mended broken toys which were then given to the charities we supported. In my teenage years, my brother and his friends would buy up old sports cars and spend every spare hour coaxing them back to life, including some quite sophisticated repainting. This attitude seems to have very deep roots going back to probably prehistoric times, and not just bred from scarcity or poverty. I remember reading in a Jane Austen novel, how the ...

A small restoration project

I have recently come back from a holiday in the UK, staying with my sister and brother-in-law in Buckinghamshire. They live in a 1930s house that has had several alterations and additions over its lifespan, one of which was the removal of the fireplace in the front bedroom. One of their neighbours, in an identical house, is in the process of a major renovation, which included the removal of the upstairs cast-iron fireplace, which my sister rescued from their skip waste. The rescued fireplace in its original condition Although there was a legacy of many layers of paint, now in a sorry state, the only serious damage was to the left lower corner, and the cast-iron mantlepiece was beyond salvage. The first task was to clean off many generations of soot and spiderwebs, before starting the major work of removing all the old paint. In any restoration project, the preparation is the most important stage of the work, however tedious and unrewarding it may seem when doing it. Here, I had th...

Everyday things

As a child, I had firmly ingrained into my head that "special things" were only for use when guests came, and the status of the guest would influence the degree to which this was applied. This thinking has lived with me all my life, despite innate resistance. Why should one's most valued things live at the back of a cupboard and only emerge a couple of times a year, or even less often - surely we should be celebrating these as a way of elevating every day? I can understand the logic - the more often something is used, the more likely it will get damaged or broken - but the converse is what I am pondering today. If something can give you joy each and every day, surely this is worth the investment of having something a bit more valuable? This mug is a case in point: it was a gift, and the image is taken from one of my favourite buildings, the Art Museum in Milwaukee, designed by Santiago Calatrava. As an example of graphic design, it is a masterpiece, but it scores well o...

Symmetry in architecture

Humans appear to be naturally attracted to bilateral, or axial, symmetry, usually used in the floor plan to structure the main movement route, and on the entrance facade. Perhaps the inspiration for symmetry in buildings is an idealised conception of the human body, although if this were the case, one wonders why the depiction of humans in these cultures, in painting and sculpture, often show the body in movement, rather than the static face-on view or pose, as can be seen in the very energetic sculptures of the Parthenon. Reconstruction of the Parthenon from Ancient Greece Creative Commons licensed: https://www.rawpixel.com/image/431804/columns-greece In Ancient China, the same dichotomy appears - in the example of the Forbidden City in Beijing the entire complex has all the major buildings lined up on a single axis, which takes on even more meaning, as only the emperor was permitted to walk on this central path. The narrow stairs on either side are for everyone else. Hall...

Repetition

Repetition can be one of the most boring aspects of architecture, especially where one finds whole districts of the same design and the same treatment for each unit within these identical buildings. Some of the housing estates built in the UK and USA in the mid to late twentieth centuries are sad examples, the most notorious of which was Pruitt-Igoe in St Louis, which was imploded just 21 years after it was built, because it had degenerated into a slum. Its fate was attributed mainly to the bland and repetitive environment that had been created in this housing estate, lacking in interest and identity. Pruitt-Igoe before demolition Creative Commons licensed: https://www.facebook.com/STLPRS/photos/the-pruitt-igoe-housing-complex-located-along-cass-avenue-north-st-louis-consist/1287418993419959/ But repetition has not always had this reputation - in many ancient cultures around the world, it has been used as the highpoint of architectural expression, often reserved to express ...