Last week, I reflected on the process of reviving my skills in lettering and calligraphy . Today, I look at the other skill that I needed to hone for the graphics for my daughter's wedding: watercolour. Over the past couple of years, I have been dabbling with this medium at my mom's art club, using the cheapest paints, kids' brushes and photocopy paper - quite a challenge! I was also given a book of William Morris designs, printed on high-grade paper and with quality graphics. This was excellent for polishing some of the skills one needs for watercolour - accuracy, control of the brush and consistency in colour and tone. They are also fantastic preparation for painting ones own designs with botanical subjects, as Morris was brilliant at capturing the shapes of organic curves in his designs. William Morris design on watercolour-grade paper For the wedding, there were several decisions that needed to be made quite early on - the colour scheme and the types of paper or board ...
About a year ago, my daughter and her fiancé asked me if I would do the graphics for the place cards and seating layout for their wedding. They had already done a great job with the graphics for their engagement party, using Canva graphic design tool, but we thought it would be nice to have hand painted and hand-lettered graphics for the wedding itself. When I was a Second Year architecture student, at the end of the year we had a review of all our work prior to the oral presentations, and my lecturers had advised me to erase every piece of lettering on my drawings and re-do them. In the process, my lettering became much better, but this is a skill I have not used for many decades. Nevertheless, I pulled out a couple of lettering handbooks and a calligraphy set that my brother had passed on to me. A calligraphy handbook by Muriel Parker (1980) These were great, both to remind me of the very specific techniques, and to give us a wide selection of typefaces. The one book also had a...